The track is a perfect closer for an album that further advances Del Rey's evolution from a constructed pop persona to a complex artist. The opening lines of "Dance Til We Die" refer to "covering Joni" and the next song is a pristine cover of Joni Mitchell's Ladies of the Canyon classic "For Free," with vocal contributions from Weyes Blood and Zella Day. ![]() "Wild at Heart" includes one of several moments where she alters her phrasing to fit extra lyrics into a single line, wondering aloud about what would happen if she escaped her music career for a more frivolous existence. There are more tendencies toward ghostly folk, as with the acoustic guitars and bongos of "Yosemite" or the lonely, drifting strumming of "Not All Who Wander Are Lost." Del Rey experiments with expanding the depths of her long-established persona, occasionally breaking the fourth wall with overtly personal lyrics. While NFR! also had a restrained approach, there were multiple moments of accessible pop in the moody cover of Sublime's "Doin' Time" and the classic rock grandeur of "The Greatest." There's barely a hint of that here, with the booming bass and steady drum loop of "Dark But Just a Game" being the closest Chemtrails gets to pop production.
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